Will George Clooney Charm Box Office With ‘Ticket To Paradise’? | Techno Glob

“Ticket to Paradise,” a romantic comedy that reunites longtime friends and co-stars Julia Roberts and George Clooney, could defy box office odds.

Of course, it seems strange to suggest a movie starring megawatt talents like Roberts and Clooney could be anything other than a big win. But even in the pre-pandemic era, romantic comedies were challenged at the box office. This has been particularly severe in the COVID era; Although “Lost City” with Sandra Bullock and Channing Tatum beat expectations with $190 million worldwide, Billy Eichner’s “Bruce” faced an uphill battle to reach $10.8 million worldwide.

But there’s reason to believe that “Ticket to Paradise” — which arrives in North America on Oct. 21 — could be another reminder that romantic comedies aren’t entirely loved. Based on early estimates, the film is expected to reach around $15 million. That’s a respectable start, falling in between “The Lost City” ($30 million) and “Bruce” ($4.8 million), the most recent top-grossing examples to play in theaters.

Already, Roberts and Clooney’s combined charm is working at the international box office, where “Ticket to Paradise” has grossed an impressive $72 million to date. Universal reported that “Ticket to Paradise” is ahead of “The Lost City,” which took in $85 million overseas, as well as pre-pandemic medleys like “Last Christmas” ($88 million overseas) and “Crazy.” Rich Asians” ($64 million overseas) at the same point in their respective international rollouts.

“Stars still have huge followings overseas, where audiences are more loyal to celebrities than they are in North America,” says David E. Gross, who runs film consulting firm Franchise Entertainment Research. “Tastes change more quickly in the domestic market.”

These changing tastes, in which audiences gravitate towards superheroes and minors, have resulted in Netflix commanding the meet-and-greet market. in the A variety of varieties Reviewing, film critic Richard Kuipers also noted that “Ticket to Paradise” feels like “the kind of light entertainment that would bypass most cinemas these days and go straight to streaming platforms.” But there are two obvious reasons why Universal chose to put the film on the big screen – Roberts and Clooney.

“Coming out of the pandemic, star power is rising again,” says Sean Robbins, chief analyst at Box Office Pro. “‘Lost City’ did amazing business, and it was because of Sandra and Channing.”

In the United States and Canada, “Ticket to Paradise” is expected to serve as counter-programming to “Black Adam,” a DC comic book adaptation starring Dwayne Johnson. The Warner Bros. film is projected to dominate its big screen debut with $50 million to $60 million. Yet analysts note that “Ticket to Paradise” has a clear runway to other adult-skewing films, such as Weinstein’s investigative drama “She Said” (Nov. 18), Steven Spielberg’s coming-of-age film “The Fable Men” (Nov. 23) and “Glass Onion: A Knives Out Story” (Nov. 23), open in theaters next month.

“I think it will have strong legs,” Robbins says of “Ticket to Paradise.” “It could be the kind of movie that lasts a while.”

That’s the case for many films aimed at older audiences, such as “Elvis” ($151 million domestic), “Where the Crawdads Sing” ($90 million) and “Bullet Train” ($103 million). Thanks to positive word-of-mouth, these films have shown remarkable endurance in theaters at a time when blockbusters like “Top Gun: Maverick,” “Jurassic World Dominion” and “Thor: Love and Thunder” are dominating the box office charts.

Universal is counting on that kind of staying power for “Ticket Heaven.” The film cost $60 million to produce, which is quite expensive for modern romantic comedies. After all, “Pretty Woman,” “Nutting Hill” and “Runaway Bride” have ruled the box office for two decades or more, easily making millions and justifying all kinds of production budgets. But luring Roberts and Clooney back to the big screen isn’t cheap. They each command multi-million dollar payouts. And filming during COVID also caused the price tag to rise by several million dollars.

Ol Parker, best known for “Mamma Mia! Here We Go Again” and “The Best Exotic Marigold Hotel,” directs “Ticket to Paradise,” which follows a renegade con artist who marries his beloved daughter (by Caitlin Dever). paid) fly to Bali to stop her from marrying a man. Like “The Lost City,” the escapist “Ticket to Paradise” seems like a return to a familiar, winning formula that dominated the genre in its heyday. helped to do

“Romantic comedies and romances have shown some strength recently, but it’s an understatement to say we’re back to the good old days,” says Gross.

In other words, Roberts could be returning to the genre that turned him into a movie star … but don’t necessarily expect the same hug at the box office.

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