From Billy Eichner’s “Bros” to David O. Russell’s star-studded “Amsterdam,” October 2022 has been a notable month for high-profile box office bombs. Not that bad box office ever reflects the quality of a film. Martin Scorsese has recently gone viral for railing against the industry’s obsession with box office numbers and judging films based on the strength of their opening weekend.
“Since the 80s, the focus has been on numbers. It’s kind of disgusting,” Scorsese said at the New York Film Festival. “The cost of a movie is one thing. Understand that a film costs a certain amount, they expect to get back at least a certain amount… Now the emphasis is on the numbers, the price, the opening weekend, how much it made in America, how much it made in England, how much it is. Made in Asia, how much did it make all over the world, how many viewers did it get. As a filmmaker, and as a person who cannot imagine life without cinema, I always find this really insulting.
Edgar Wright was another major filmmaker this month to take a stand against box office fare, telling fans during his BBC Maestro Course, “A three-day weekend is not the end of a movie’s story. People Shouldn’t buy into that idea. Their box office ratings are the same as football fans. Most of my favorite movies that are considered classics today weren’t considered hits in their time.
Scorsese and Wright have a point, as many of the most critically acclaimed films of this century began as box office flops. Be it “Children of Men” or “The Master” or “Under the Skin”, it has become abundantly clear that you cannot judge a film by its overall score.
below, A variety of varieties Offers a selection of the best movies that flopped at the box office.